Colson Whitehead’s The Underground Railroad and George Saunders’s Lincoln in the Bardo as Examples of Historiographic Metafiction
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This paper was originally submitted as a final requirement for the author’s compliance in the course LIT 606: Seminar in American Literature (2017). I. Introduction When we hear the phrase “historical fiction,” there’s a general tendency to assume that this genre has fixed, clearly defined conventions that are as unalterable as the past itself. Celadon Books, for example, the primary search result on Google that appears after one looks up “historical fiction,” defines the genre as such: Historical Fiction is set in a real place, during a culturally recognizable time. The details and the action in the story can be a mix of actual events and ones from the author’s imagination as they fill in the gaps. Characters can be pure fiction or based on real people (often, it’s both). MasterClass, meanwhile, describes historical fiction in this manner: Historical fiction is a literary genre where the story takes place in the past. Historical no...