Lessons in Deactivation
This
entry was originally published under my legal name in the October 25, 2018,
issue of SunStar Cagayan de Oro, and can also be viewed on their website. Much thanks to Churchill G.
Aguilar for making this possible!
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We’re a month shy of reaching the end of 2018,
this being the second consecutive year I’ve compelled myself to deactivate my
Facebook account over a significant period of time. Throughout the course of
these “experiments,” I’ve realized that said period’s span can be totally
arbitrary. The shortest, if I remember right, was sometime late last year, when
I deactivated for a mere two weeks.
The longest wasn’t too long ago, when I deactivated between April to June of
this year, to make up for my “reactivation” of the three months prior. I reactivated
in July, and resumed deactivation throughout August and up until this time of
writing.
This relative ease with which I flit between
activity and “de-activity” feel like a world away from my initial vacillation
of only a few years ago, when I recall having internal debates on whether I
should detach myself from an online account that’s been a huge part of my life
since 2009. (And I’m not kidding; so much of my time has been wasted pointlessly
browsing my newsfeed.) It was sometime around late 2015, early 2016 when I
started reevaluating my relationship with the platform, considering that many
of the negative effects touted online were beginning to creep into personal sentiment.
I told my girlfriend of my deactivation plans, the
embers of which had initially been stoked by my tad insecurity-slash-envy at viewing
other people’s “highlight reels.” Here I was, early-twenties guy, brimming with crazy plans and ideals, yet having
worked the same desk job for the past two years. Meanwhile, others my age were
in their final year of law school, med school, grad school; snapping selfies in
some frigid first-world country; etc., often accompanying each post with a
caption they ripped from Elite Daily or Thought Catalog.
It took a while (a full year and a couple of
months), but I eventually did muster the courage to deactivate the account that
had been so integral (maybe even dear) to me throughout much of my college and
early yuppie years. The experience was…bizarre at first. After all, over the
past couple of years, as pretty much everybody jumped onto the platform, FB had
ballooned from a simple, less badoy
version of Friendster, to an entirely alternate universe capable of warping
one’s worldview and effecting change, for better or worse, in the real world.
And almost abruptly, that alternate universe where
I burned so much time was now gone, replaced with less interactive media: pages
of a book, online essays and articles, movies and series that had remained
dormant in my hard drive for years. And with this consumption of traditional,
“asocial” media, coupled with the requisite deactivation, came a certain bliss that I found surprisingly difficult
to articulate to my girlfriend after a month of the experiment.
The word that kept coming back to me was comparison—specifically the absence of
it. With FB’s newsfeed, along with the nasty algorithms behind it designed to
make it so addicting, excised from my life, that sense of insecurity/envy
rooted in the notion that I was somehow lagging behind my peers was basically
snuffed out. Such a sensation, I’ve noticed, sees a resurgence only when: (1) I
reactivate my FB, and (2) I encounter these people whom I can’t help but feel
envious toward, on account of what they’ve revealed about themselves online, or
what they’ve carefully curated that online image to be. Still, in both
instances, the envy, the insecurity, that feeling of lagging behind, are
contingent on the virtual realm, proving right published findings that social
media, despite the unprecedented connectivity it affords us, contributes to
depression and anxiety—feelings already in abundance in our capitalist, hyper-consumerist world.
And before you argue that I’m just being “OA”
about this, that social media is the
defining innovation of our age, that one need only a strong backbone and firm
convictions to combat potential depression and anxiety, allow me to move on to
another lesson in deactivation: time.
As a writer—and I have no doubt this rings true for many other creatives—I
constantly fluctuate between feeling the urge to create something (a chapter of a long-gestating novel, a segment of
a short story, a verbose essay on the FB-free life) and, pardon the word, consuming media.
A social media presence, while undeniably helpful
in expanding one’s audience, is—in my case, or at least in this stage of my
creative journey—more of a hindrance, especially since the time I spend online
can instead be reallocated to consuming aforementioned asocial media. For it is
only in understanding what made these works great in the first place, and
examining them in a manner more intimate than the casual consumer does, that I
too hope to better my own output, to hone my craft.
Overall, the deactivation experience these past
two years has proven quite good—healthy
even—to me. There are certain times when I do feel left out of a
conversation, especially on topics that have gone viral, but this is a small
price to pay. And when I do return to the platform on occasion, these moments are
underpinned by a nagging sensation to unplug myself from the Matrix—especially
during these particularly polarizing times.
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